Saturday, May 3, 2008

How do we "read" neighborhoods and communites?

As a media production major, I have learned to "read" films in an entirely different way than I did prior to my studies. Where once I would have payed particular attention to the dialog and actions that compose any given film, I now take special notice of camera angles and camera movement, lighting, set design, the different layers of audio track, and the list goes on. In short, media production studies have immensely enriched film viewing for me, and more especially, have given me some new and powerful tools to analyze films as I discover new meanings that were previously hidden to me. This has led me to reflect some on how people might "read" communities and neighborhoods.

When we enter a new neighborhood or community, what do our eyes travel to, our ears tune into? How do we process the information in such a way as to deduce certain conclusions about the neighborhood or community? What structures exist already in our minds that direct the information that we take in towards certain conclusions? Do we process different neighborhoods and communities differently? That is, do we ever take in less information because we already have developed certain conclusions or assumptions in our minds?

I wonder, just as my film viewing experience was limited prior to my engaging in media production studies, could the same kind of thing take place in how I interact with a community. That is, is there a simplistic way to read communities as well as an enriched way to interact with neighborhoods and communities? If so, how can I develop this enriched way to understand new communities and neighborhoods? Media production is pretty straightforward, you take a series of classes with good teachers, and you are on the way to developing an enriched view of films. But what kinds of classes are there for living well in neighborhoods and communities? If not formal classes, then what?

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